Issues : Deletions in A

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b. 27

composition: Op. 25 No 4, Etude in A minor

​Third a-c1 in A (→FE)

Fifth f-c1 in FC (→GE) & EE

..

Both source versions of the last quaver in the L.H. are a result of corrections, certainly (A) or most probably (FC) authentic. Out of these two practically equal versions, to the main text we choose the a-c1 third written in A (→FE). According to our evaluation, the corrections in the L.H. visible in A also in the next two bars prove a thought-out decision of the composer, including all sound aspects of the accompaniment in this fragment. 

category imprint: Differences between sources; Corrections & alterations

issues: Deletions in A , Accompaniment changes

b. 62

composition: Op. 25 No 4, Etude in A minor

No staccato & slur in A

Wedges & slur in FC (→GE)

4 wedges in EE

No staccato, slur & crotchet in FE

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Deletions in A